“When you’re looking at them from a distance, it’s absolutely beautiful, and farmers really like that because it’s being creative in a different way,” she says. Susan spoke about the palletisation of designs for cartons when they are stacked on top of each other and how the design flows on. Susan has been working as a graphic designer for more than 11 years and loves working with flexo printing that uses rubber plates. Susan Erener, Graphic Designer at Opal, was interviewed about the illustrations and pictures for fruit and vegetable cartons and how they come to life. “Every box has a story and a use and a product to go in it whether that be mangoes, pineapples, avocados, beans,” he says. Scott Carmichael, National Maintenance Manager-Depots at Opal, was interviewed as part of the episode and spoke about loving the work he does. Other venues: Churches, university galleries, libraries, upscale bookstores, upscale hair salons, architecture firms, interior design firms, law offices, convention centers, airports and private clubs.ABC’s national agricultural program, Landline featured a segment on Opal Rocklea and the artwork on fresh produce cartons.Īs part of ABC’s Art Week, Landline did a segment on the eye-catching artwork of fruit and vegetable cartons and the stories they tell about the produce and farmers.Some maintain small gallery spaces and show work to clients by appointment.Īlternative Spaces: Where to Show in the Beginning Members exhibit their own work in exchange for a fee, which. Co-op Galleries Co-ops exist to sell and promote artists’ work, but they’re run by artists. Retail galleries take a commission of 40 to 50 percent. Museums Though major museums primarily show work by established artists, many small museums are open to emerging artists.Īrt Consultancies Consultants act as liaisons between fine artists and buyers. Retail or Commercial Galleries The goal of the retail gallery is to sell and promote the work of artists while turning a profit. Nonprofits generally take a commission of 20 to 30 percent. Nonprofit Galleries Nonprofit spaces will provide you with an opportunity to sell your work and gain publicity but won’t market your work aggressively, because their goals aren’t necessarily sales-oriented. Rental galleries are sometimes thought of as “vanity galleries” and, consequently, don’t have the credibility that other galleries enjoy. Showing in this type of gallery is risky. Some rental spaces provide publicity for artists, while others don’t. Rental Galleries The rental gallery makes its profit primarily through renting space to artists and therefore may not take a commission on sales (or it will take only a very small commission). Members share the responsibilities of gallery-sitting, sales, housekeeping and maintenance. Some co-ops also take a commission of 20 to 30 percent to cover expenses. Members exhibit their own work in exchange for a fee, which covers the gallery’s overhead. ![]() Retail galleries take a commission of 40 to 50 percent.Ĭo-op Galleries Co-ops exist to sell and promote artists’ work, but they’re run by artists. Retail or Commercial Galleries The goal of the retail gallery is to sell and promote the work of artists while turning a profit. The route you choose depends on your needs, the type of work you do, your long-term goals and the audience you’re trying to reach. As you search for the perfect gallery, it’s important to understand the different types of spaces and how they operate.
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